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| Education |
| 1997-1998 |
Foundation, Goldsmiths College |
| 1998-2001 |
BA (Hons) Fine Art, Goldsmiths College |
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| Exhibitions |
| 2006 |
Repatriating the Ark, Museum of Garden History, London, curated by Danielle Arnaud, Jordan Kaplan and Philip Norman* |
| 2004 |
Nowhere Else but Here, Danielle Arnaud contemporary art, London |
| 2003 |
The Entangled Eye, Danielle Arnaud contemporary art, London* |
| 2000 |
Blue Boy Shop (in' centre) - London Biennale 2000
Oval Mansions, London |
| 2001 |
Liminal/ Minimal/ Nominal: Architectural Traces, Gallery Westland Place, London, curated by Roy Exley |
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Mega-City, Fukugan Gallery, Osaka, Japan |
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Suk, Sesto Senso, Bologna, Italy |
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Liminal/ Minimal/ Nominal: Architectural Traces,
John Hansard Gallery, Southampton, U.K |
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Urban Rhythms, Sarah Myerscough Fine Art, London |
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DLA Art Award 2001, Sarah Myerscough Fine Art, London |
| 2002 |
agnes b, Covent Garden/ Hampstead, London |
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Undertow, Crucifix Lane, London |
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Emporio Armani , Knightsbridge, London |
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Flat Pack, Danielle Arnaud contemporary art, London |
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Centre of Attraction - The 8th Baltic Triennial of International Art
Contemporary Art Centre, Vilnius, Lithuania |
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| * denotes catalogue |
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| Publications |
| 2006 |
Repatriating the Ark, published by Parabola |
| 2003 |
The Entangled Eye, exhibition catalogue |
| 2001 |
Tank volume 2, issue 5 |
| 2001 |
Collezioni edge |
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