Helen Robertson |
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Helen Robertson Film Still from Thoroughfare 2020 |
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As a pure voice that refracts another
voice. Echo makes the musicality of language sing.
Working with architecture and the choreographic Echo sets in motion a web of relations to women past and present, working with ideas of agency and authorship as reciprocal and interdependent. It brings together 5 films shot on video of or relating to works of architecture in which women have played an important (often unrecognised) role; this includes a film of Laura Martínez de Guereñu’s Re-enactment at the Barcelona Pavilion 2020 (that worked to bring recognition to architect Lilly Reich's design contribution); a choreography made for camera with two ballet dancers that responds to Lilly Reich and Mies van Der Rohe's Velvet and Silk Cafe and a moving image projection of a sculptural work by artist Liz Deschenes (Stereograph #36), which within the exhibition is part of a rumination on architect Lauretta Vinciarelli’s unrecognised work with Donald Judd in Marfa Texas. Correspondences across filmed architectures and the gallery architecture are inflected by interrelated sculptural and architectural interventions giving rise to chains of iterations that extend conversations across past and present, interior and exterior, here and elsewhere. A leaflet featuring a commissioned essay by Professor Jane Rendell will be available during the exhibition. Helen Robertson’s work has
been shown nationally and internationally including Hayward Gallery
London, Stadthaus Ulm Germany, Matt’s Gallery London, Arnolfini
Gallery Bristol. Jane Rendell is Professor
of Critical Spatial Practice at the Bartlett School of Architecture,
UCL, where she co-initiated and teaches on the MA Situated Practice,
and on the MA Architectural History. She supervises history, theory
and design PhDs in architecture, art, urbanism and experimental
writing.
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