Duet is a body of work made while on and in response to spending
three months as artist in residence on the Mexican/U.S. border. The
exhibition explores the landscape of El Paso and Ciudad Juarez as a
repository of shared connections and experience. Giving the land voice
to both remember and carry the complications, contradictions, and beauty
of the place; the way these nuances act in harmony, and the notes of
discord they strike.
For this exhibition, Freya Gabie draws out threads that weave the two
cities of Ciudad Juarez and El Paso together. Approaching the intricate
back and forth of economic, social, and medical journeys that take place
between the people and objects of the border, and examining how the
border both generates the flow of goods, services, and people and dams
it, revealing the ways the resulting impacts are felt.
The work considers the landscape the two cities share, approaching the
exploitation and exclusion of the land’s natural resources to ask how
this may echo the exploitation and exclusion created by an international
border. The exhibition also focuses on both cities’ relationship with
the native flora: indigenous plants specifically adapted to the hardness
of the desert and crucial to the survival of communities for centuries
before the settlement of Paso Del Norte, are now reframed alongside
plants brought here from other places. The work seeks to negotiate how
these introductions displace, change, and challenge the delicate environmental
and social balance of a desert region.
A leaflet featuring commissioned writings by
Chloe Hodge, Project Curator and Manager, Commissions, Tate Britain and Kerry Doyle, Director of the Rubin Center of
Visual Arts, will be available during the exhibition.
Click here
to read the leaflet
Freya Gabie studied sculpture at Chelsea College of Art and the Royal
College of Art. Her work is site responsive and she regularly works
collaboratively with individuals and communities in the UK and abroad,
from opera singers, clog dancers, and archaeologists, to iron miners,
and many people in between. She has exhibited and been commissioned
widely, both internationally and in the UK. Previous projects include;
Duet The Bar, El Paso, USA, All Fired Up
a collaborative commission with Historic England responding to the Ceramic
Industry of Stoke on Trent and Poole, Hold The Line Journeying
aboard the Dr Fridtjof Nansen vessel with the Norwegian Institute of
Marine Research down the South West coast of Africa, Leonardo Da
Vinci, A life in Drawing Bristol Museum, Palsmuseum, Sweden, Châteaux
De Bosmolet, Diep-Haven Festival France, USF Art Centre, Norway, Neo:
Bolton, 108 New York, Fljótstunga Iceland and, Franconia Sculpture Park
USA. She is currently undergoing a public artwork commission for UCL
for the new neurological research hospital being built on Gray’s Inn
Road for the IoN, DRI, and UCLH. Freya has just returned from a residency
in Bangalore, India, where she has been responding to two historic gardens,
Lalbagh Botanic garden and Cubbon Park, towards an exhibition at Artcore,
Darby, UK in spring 2024.
Kerry Doyle is the Director
of the Rubin Center for the Visual Arts at The University of Texas
at El Paso. She specializes in curatorial projects that are
interdisciplinary, participatory and performative, with a special
focus on the border as subject and site. Doyle regularly
collaborates with individuals and institutions from both El Paso and
Ciudad Juarez in the execution of a wide range of interdisciplinary
and community-engaged programming. She has curated and organized
original exhibitions, commissions and performances by international
artists including Tomás Saraceno, Tania Candiani, Regina Jose
Galindo, Teresa Margolles, Máximo Gonzalez, Jose Antonio Vega
Macotela, Fiamma Montezemolo, Rafael Lozano-Hemmer, Minerva Cuevas
and many others. She was a fellow at the Smithsonian Latino
Institute (2009) and the Getty Institute for Museum Leadership
(2014). She holds a BA in Political Science from De Paul University,
Chicago; a BA in Drawing and Printmaking and an MA in Border Studies
from UTEP.
Chloe Hodge is a London-based curator with ten
years’ experience working with international artists and
institutions. Chloe specialises in commissioning public artworks,
for biennials and free collection displays, providing open access to
contemporary artworks and art history. Currently, Chloe is Curator
and Project Manager of Commissions at London’s Tate Britain, having
recently finished the rehang of the museum’s Collection Displays
spanning 500 years of British art. Prior to this, Chloe has carried
out curatorial projects with institutions including Fondation
Beyeler, The State Hermitage Museum, Venice Biennale, Biennale of
Sydney and Taipei Biennial, and public art commissions for HS2, The
Line, Folkestone Triennial, the City of Vienna and Mayor of London.
Chloe has an MA in Curating Contemporary Art from the Royal College
of Art.
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Cut 2022
Pack of open playing cards each displaying one of the original rose
name plaques from the El Paso Municipal Rose Garden in the 1950s. The
names echo the cultural/political climate of the time and offer an insight
into the U.S. relationship to Mexico/colonialism/empire. Installation view by Dan Weill.
Contested Spaces 2023 Partial X-rays of
plants etched on glass, placed on oak shelves each 44.5 x 30 cm. Installation view by Dan Weill.
Duet 2022 video loops with sound on two
parallel screens 7' A film made in two gardens across spring : The
Municipal Rose Garden, El Paso, Texas, USA and El Huerto Del Señor Community Garden, Ciudad Juarez, Mexico.Installation
view by Dan Weill.
Detail by Dan Weill. Between the Lines 2023
partly erased plastic laundry baskets.
Thief 2023
Copper, porcelain and terracotta dimensions variable. Installation
view by Dan Weill.
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