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1968 |
Born in Poole, UK |
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1988-1991 |
Liverpool School of Art |
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1992-1995 |
Royal Academy Schools London |
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Solo Exhibitions |
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2015 |
We can hardly imagine how much the angels love the truly
chaste, Danielle Arnaud, London, UK |
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2015 |
VOLTA NY with Danielle Arnaud, London, UK |
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2011 |
Island, Graves Gallery, Sheffield, UK |
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2007 |
Somehwere, Ha Gamle Prestegard, Norway |
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2006 |
The Drawn Curtain, Danielle Arnaud, London,
UK |
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2003 |
Dorman Museum Middlesbrough, UK |
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2002 |
Middlesbrough Art Gallery, UK |
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2000 |
Five Years, Danielle Arnaud,
London, UK |
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1999 |
Ha Gamle Prestegard, Norway |
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Haugesund Billedgalleri, Norway |
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Selected Group Exhibitions |
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2019 |
The Flesh of Thought, Blyth Gallery, London, UK
(forthcoming) |
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2019 |
Mercurious, Danielle Arnaud, London, UK |
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2019 |
The Size of Thoughts, White Conduit Projects, London,
UK |
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2018 |
A Concentration of Power, Joost van den Bergh,
London, UK |
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2017 |
A bird in the head, Danielle Arnaud, London,
UK |
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2016-2017 |
Strange Worlds: The Vision of Angela Carter, RWA,
Bristol, UK |
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2016 |
Secret Watercolours, Incinerator Art Space, Willoughby,
Australia |
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2014 |
Enclosure, Danielle Arnaud, London, UK |
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2014 |
Glass Cat 2, Wimbledon Space, Wimbledon College
of Arts, UK |
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2013 |
Glass Cat, Danielle Arnaud, London, UK |
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2013 |
Re-Viewing the Landscape, Compton Verney, UK |
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2012 |
All the Dead Dears, WW Gallery, London, UK |
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2012 |
Crazee Golf, Tintype Gallery, London, UK |
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2012 |
Tryouts, Down Stairs, Great Brampton House, Herefordshire,
UK |
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2012 |
Minimal, Ha Gamle Prestegard, Norway |
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2012 |
Flights of Fancy, Tatton Park Biennial, UK |
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2011 |
What the Folk Say, Compton Verney, UK |
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2011 |
Expansive Mood, Mansion House, London, UK |
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2010 |
So That I may Come Back, Danielle Arnaud, London,
UK |
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2009 |
In Between the Lines, Trinity Contemporary, London,
UK |
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2009 |
Northern Print Biennale, Laing Art Gallery, Newcastle,
UK |
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2009 |
House and Home, Harewood House, Leeds, UK |
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2009 |
Unfold, Nettie Horn, London, UK |
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2009 |
40 Artists 80 Drawings, The Drawing Gallery, UK |
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2008 |
A4 Editions, Five Years, London, UK |
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2008 |
Riddle me, Danielle Arnaud, London, UK |
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2008 |
The
Beguiling ... , Bury St Edmunds Gallery |
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2007 |
isobar, Fieldgate Gallery |
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2006 |
Snowdomes, National Glass Centre, Sunderland
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When Night Draws In, Artangel Interaction
project, Digby Stuart Chaplaincy, Roehampton University |
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Drawing Inspiration, Abbot Hall Art Gallery, Cumbria |
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2005 |
The Drawing Gallery, London |
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The Real Ideal, Sheffield Millennium Gallery |
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The Nelson Touch, Maritime Museum Portsmouth |
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Cloud & Vision, Museum of Garden History,
London |
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Staged, Danielle Arnaud contemporary art,
London |
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Drawing Two Hundred, The Drawing Room, London |
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Only Make Believe: Ways of Playing , Compton
Verney, curated by Marina Warner |
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2004 |
The Jerwood Drawing Prize |
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Transmogrifications, Danielle Arnaud contemporary
art, London |
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2003 |
Exhumed, Museum of Garden History, London
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Vice, Henry Peacock Gallery, London |
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Great Piece of Turf, Danielle Arnaud contemporary
art, London |
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2002 |
The Jerwood Drawing Prize |
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Pizza Express Prospects, Essor Project Space |
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In Splendid Isolation, Aspex, Portsmouth;
Danielle Arnaud contemporary art, London |
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By hand, Hales Gallery, London |
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2001 |
The Difference Between You and Us, Five Years,
London |
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The Jerwood Drawing Prize |
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Xmas, Outline, Amsterdam |
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A Month In The Garden, Museum of Garden History
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America, Gallery Westland Place, London |
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Hit & Run, The Old Seager Brewery, London |
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1999 |
Glory Hole, London |
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There Is Plenty of Sunshine in Summer, Outline,
Amsterdam |
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Perfume, Danielle Arnaud contemporary art,
London |
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1998 |
Adorn, Jibby Beane, London |
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Animal Beauty, Danielle Arnaud contemporary
art, London |
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Cheltenham Open Drawing Exhibition, Cheltenham, Hull, Berlin |
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1997 |
Works on Paper, Danielle Arnaud contemporary art,
London |
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1995 |
Decadance, Trondjheims Kunstforening, Norway |
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London, Galleri F15, Norway |
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Publications |
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2018 |
The Object in Charge, edited and designed by Kim
L Pace |
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2016 |
Strange Worlds: The Vision of Angela Carter, RWA,
Bristol |
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Fourteen Turns: Meditations on a Coffee Mill, review
in Art Monthly |
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2015 |
We can hardly imagine how much the angels love the truly
chaste, publication, text by Peter Suchin |
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2014 |
Glass Cat, exhibition catalogue, text by Peter
Suchin |
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2012 |
Time Out review, Crazee Golf, Tintype gallery ,
London |
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2012 |
Frieze No 149, Flights of Fancy, review by David
Trigg |
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2012 |
Flights of Fancy,Tatton Park Biennial catalogue |
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2012 |
Hyperdrawing, by TRACEY |
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2011 |
Island, publication, collaboration with text by
Leslie Forbes |
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2008 |
New Gothic Art, Francesca Gavin |
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2007 |
Stavanger Aftenbladet, review, Trond Borgen |
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2007 |
Drawing Now, published by TRACEY |
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2007 |
The Guardian, review |
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2006 |
Drawing Inspiration, published by Abbot Hall Art
Gallery |
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2006 |
Contemporary Annual, profile |
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2005 |
Modern Painters, review |
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2005 |
The Real Ideal, published by Sheffield Millennium Gallery |
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Cloud & Vision, published by Parabola |
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Only Make - Believe, catalogue published by Compton Verney,
essay by Marina Warner |
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2004 |
Some Mild Peril, Published by Castlefield Gallery assembled
and edited by Nick Jordan |
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Sarah Woodfine, catalogue published by Museums & Galleries,
Middlesbrough Council, text by Marco Livingstone |
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2003 |
Exhumed, catalogue, Published by Parabola edited by Jordan
Kaplan |
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2002 |
Jerwood Drawing Prize, catalogue |
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In Splendid Isolation, catalogue published by Danielle Arnaud,
essay by Marco Livingstone |
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2001 |
The Jerwood Drawing Prize, catalogue |
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Zoo, Issue No.8 |
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2000 |
Sarah Woodfine, catalogue, published by Danielle Arnaud,
essay by Martin Herbert |
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1999 |
Sarah Woodfine, catalogue published by Ha Gamle Prestegard |
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1998 |
Perfume, catalogue, essay by Marc Hulson |
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1995 |
London, catalogue, published by Galleri F15 |
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Decadance, catalogue, published by Trondjheims Kunstforening |
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Collections |
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Victoria & Albert Museum, London; Middlesbrough Art
Gallery;, Ha Gamle Prestegard, Norway; and |
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private collections in England, U.S.A, Norway, The Netherlands,
Switzerland, Hawaii and Spain |
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Awards, Residencies, Projects |
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Serpent Steps, performance and restoration project
in the Tout Quarry Portland, Portland Sculpture Quarry Trust,
Dorset. |
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Summer School Workshop in response to Modern Nature
exhibition, Drawing Room, London, with Tania Kovats and
Marcus Coates, 2019 |
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In the realm of the Fairytale, drawing masterclass
RWA, Bristol (part of Strange Worlds: The Vision of
Angela Carter), 2016 |
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Dreaming Heads, drawing workshop, PSQT, 2015 |
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Artist in Residence at Emily Carr University, Vancouver,
Canada January – May 2015 |
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Guest speaker at Draw 2014 International Drawing
Symposium, Carnegie Mellon University, USA |
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Artist in Residence, Carnegie Mellon University, Faculty
of Fine Art, USA November 2012 |
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Voyager, Knutsford Children's Centre collaboration
produced as an exhibition of artworks and a performance,Tatton
Park Biennial, UK 2012 |
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Island, Commission Graves Gallery,Sheffield, UK
2011 |
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Artangel Nights of London Interactive Project 2006 |
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The Nelson Touch Collaboration between Aspex Gallery and
The Maritime Museum Portsmouth 2005 |
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Winner The Jerwood Drawing Prize 2004 |
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Drawing Artist in Residence Middlesbrough Art Gallery
2002 |
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Teaching |
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2008 - present |
Course Leader, BA Fine Art Sculpture, Wimbledon College
of Art |
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2017 |
Glasgow School of Art, BA Sculpture and Environmental Art,
External Examiner |
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2015-2019 |
Brighton University, BA Fine Art Sculpture, External Examiner |
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2000-2010 |
Associate Lecturer, Wimbledon College of Art BA |
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1998-2000 |
Kunstskolen I Rogaland, Stavanger Norway |
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1996-2010 |
Blake College, London |
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1998-2010 |
Occasional Visiting Lecturer / Guest Lecturer at: Wimbledon College of Art Fine
Art Painting / Print and Time Based Media, M.A Drawing,
Part-Time BA, Foundation; Camberwell College of Art; Central Saint Martins
BA (3D pathway); Norwich School of Art; KIAD; University of Brighton; Southampton University; Cleveland College of Art and Design; Teesside University; De Montfort University; Leeds College of
Art |
