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| 1968 |
Born in Poole, England |
| 1988-1991 |
Liverpool School of Art |
| 1992-1995 |
Royal Academy Schools, London |
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| Solo Exhibitions |
| 2007 |
Ha Gamle Prestegard, Norway |
| 2006 |
The Drawn Curtain, Danielle Arnaud contemporary art, London |
| 2003 |
Dorman Museum Middlesbrough |
| 2002 |
Middlesbrough Art Gallery |
| 2000 |
Five Years, Danielle Arnaud contemporary art, London |
| 1999 |
Ha Gamle Prestegard, Norway |
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Haugesund Billedgalleri, Norway |
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| Selected Group Exhibitions |
| 2008 |
The Beguiling ...
, Bury
St Edmunds Gallery |
| 2007 |
isobar, Fieldgate Gallery |
| 2006 |
Snowdomes, National Glass Centre, Sunderland |
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When Night Draws In, Artangel Interaction project, Digby Stuart Chaplaincy, Roehampton University |
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Drawing Inspiration, Abbot Hall Art Gallery, Cumbria |
| 2005 |
The Drawing Gallery, London |
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The Real Ideal, Sheffield Millennium Gallery |
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The Nelson Touch, Maritime Museum Portsmouth |
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Cloud & Vision, Museum of Garden History, London |
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Staged, Danielle Arnaud contemporary art, London |
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Drawing Two Hundred, The Drawing Room, London |
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Only Make Believe: Ways of Playing , Compton Verney, curated by Marina Warner |
| 2004 |
The Jerwood Drawing Prize |
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Transmogrifications, Danielle Arnaud contemporary art, London |
| 2003 |
Exhumed, Museum of Garden History, London |
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Vice, Henry Peacock Gallery, London |
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Great Piece of Turf, Danielle Arnaud contemporary art, London |
| 2002 |
The Jerwood Drawing Prize |
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Pizza Express Prospects, Essor Project Space |
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In Splendid Isolation, Aspex, Portsmouth; Danielle Arnaud contemporary art, London |
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By hand, Hales Gallery, London |
| 2001 |
The Difference Between You and Us, Five Years, London |
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The Jerwood Drawing Prize |
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Xmas, Outline, Amsterdam |
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A Month In The Garden, Museum of Garden History |
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America, Gallery Westland Place, London |
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Hit & Run, The Old Seager Brewery, London |
| 1999 |
Glory Hole, London |
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There Is Plenty of Sunshine in Summer, Outline, Amsterdam |
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Perfume, Danielle Arnaud contemporary art, London |
| 1998 |
Adorn, Jibby Beane, London |
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Animal Beauty, Danielle Arnaud contemporary art, London |
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Cheltenham Open Drawing Exhibition, Cheltenham, Hull, Berlin |
| 1997 |
Works on Paper, Danielle Arnaud contemporary art, London |
| 1995 |
Decadance, Trondjheims Kunstforening, Norway |
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London, Galleri F15, Norway |
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| Publications |
| 2005 |
The Real Ideal, published by Sheffield Millennium Gallery |
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Cloud & Vision, published by Parabola |
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Only Make - Believe, catalogue published by Compton Verney,
essay by Marina Warner |
| 2004 |
Some Mild Peril, Published by Castlefield Gallery assembled and edited by Nick Jordan |
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Sarah Woodfine, catalogue published by Museums & Galleries, Middlesbrough Council, text by Marco Livingstone |
| 2003 |
Exhumed, catalogue, Published by Parabola edited by Jordan Kaplan |
| 2002 |
Jerwood Drawing Prize, catalogue |
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In Splendid Isolation, catalogue published by Danielle Arnaud, essay by Marco Livingstone |
| 2001 |
The Jerwood Drawing Prize, catalogue |
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Zoo, Issue No.8 |
| 2000 |
Sarah Woodfine, catalogue, published by Danielle Arnaud, essay by Martin Herbert |
| 1999 |
Sarah Woodfine, catalogue published by Ha Gamle Prestegard |
| 1998 |
Perfume, catalogue, essay by Marc Hulson |
| 1995 |
London, catalogue, published by Galleri F15 |
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Decadance, catalogue, published by Trondjheims Kunstforening |
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| Collections |
| Victoria & Albert Museum, London; Middlesbrough Art Gallery;, Ha Gamle Prestegard, Norway; and |
| private collections in England, U.S.A, Norway, The Netherlands, Switzerland, Hawaii and Spain |
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| Awards, Residencies, Projects |
| Artangel Nights of London Interactive Project 2006 |
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The Nelson Touch Collaboration between Aspex Gallery and The Maritime Museum Portsmouth 2005 |
| Winner The Jerwood Drawing Prize 2004 |
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Drawing Artist in Residence Middlesbrough Art Gallery 2002 |
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