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1968 |
Born in Poole, UK |
1988-1991 |
Liverpool School of Art |
1992-1995 |
Royal Academy Schools London |
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Solo Exhibitions |
2015 |
We can hardly imagine how much the angels love the truly chaste, Danielle Arnaud, London, UK |
2015 |
VOLTA NY with Danielle Arnaud, London, UK |
2011 |
Island, Graves Gallery, Sheffield, UK |
2007 |
Ha Gamle Prestegard, Norway |
2006 |
The Drawn Curtain, Danielle Arnaud, London, UK |
2003 |
Dorman Museum Middlesbrough, UK |
2002 |
Middlesbrough Art Gallery, UK |
2000 |
Five Years, Danielle Arnaud,
London, UK |
1999 |
Ha Gamle Prestegard, Norway |
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Haugesund Billedgalleri, Norway |
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Selected Group Exhibitions |
2014 |
Enclosure, Danielle Arnaud, London, UK |
2014 |
Glass Cat 2, Wimbledon Space, Wimbledon College
of Arts, UK |
2013 |
Glass Cat, Danielle Arnaud, London, UK |
2013 |
Re-Viewing the Landscape, Compton Verney, UK |
2012 |
All the Dead Dears, WW Gallery, London, UK |
2012 |
Crazee Golf, Tintype Gallery, London, UK |
2012 |
Tryouts, Down Stairs, Great Brampton House, Herefordshire,
UK |
2012 |
Minimal, Ha Gamle Prestegard, Norway |
2012 |
Flights of Fancy, Tatton Park Biennial, UK |
2011 |
What the Folk Say, Compton Verney, UK |
2011 |
Expansive Mood, Mansion House, London, UK |
2010 |
So That I may Come Back, Danielle Arnaud, London,
UK |
2009 |
In Between the Lines, Trinity Contemporary, London,
UK |
2009 |
Northern Print Biennale, Laing Art Gallery, Newcastle,
UK |
2009 |
House and Home, Harewood House, Leeds, UK |
2009 |
Unfold, Nettie Horn, London, UK |
2009 |
40 Artists 80 Drawings, The Drawing Gallery, UK |
2008 |
A4 Editions, Five Years, London, UK |
2008 |
Riddle me, Danielle Arnaud, London, UK |
2008 |
The
Beguiling ... , Bury St Edmunds Gallery |
2007 |
isobar, Fieldgate Gallery |
2006 |
Snowdomes, National Glass Centre, Sunderland
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When Night Draws In, Artangel Interaction
project, Digby Stuart Chaplaincy, Roehampton University |
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Drawing Inspiration, Abbot Hall Art Gallery, Cumbria |
2005 |
The Drawing Gallery, London |
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The Real Ideal, Sheffield Millennium Gallery |
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The Nelson Touch, Maritime Museum Portsmouth |
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Cloud & Vision, Museum of Garden History,
London |
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Staged, Danielle Arnaud contemporary art,
London |
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Drawing Two Hundred, The Drawing Room, London |
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Only Make Believe: Ways of Playing , Compton
Verney, curated by Marina Warner |
2004 |
The Jerwood Drawing Prize |
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Transmogrifications, Danielle Arnaud contemporary
art, London |
2003 |
Exhumed, Museum of Garden History, London
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Vice, Henry Peacock Gallery, London |
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Great Piece of Turf, Danielle Arnaud contemporary
art, London |
2002 |
The Jerwood Drawing Prize |
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Pizza Express Prospects, Essor Project Space |
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In Splendid Isolation, Aspex, Portsmouth;
Danielle Arnaud contemporary art, London |
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By hand, Hales Gallery, London |
2001 |
The Difference Between You and Us, Five Years,
London |
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The Jerwood Drawing Prize |
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Xmas, Outline, Amsterdam |
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A Month In The Garden, Museum of Garden History
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America, Gallery Westland Place, London |
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Hit & Run, The Old Seager Brewery, London |
1999 |
Glory Hole, London |
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There Is Plenty of Sunshine in Summer, Outline,
Amsterdam |
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Perfume, Danielle Arnaud contemporary art,
London |
1998 |
Adorn, Jibby Beane, London |
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Animal Beauty, Danielle Arnaud contemporary
art, London |
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Cheltenham Open Drawing Exhibition, Cheltenham, Hull, Berlin |
1997 |
Works on Paper, Danielle Arnaud contemporary art,
London |
1995 |
Decadance, Trondjheims Kunstforening, Norway |
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London, Galleri F15, Norway |
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Publications |
2014 |
Glass Cat, exhibition catalogue, text by Peter
Suchin |
2012 |
Time Out review, Crazee Golf, Tintype gallery ,
London |
2012 |
Frieze No 149, Flights of Fancy, review by David
Trigg |
2012 |
Flights of Fancy,Tatton Park Biennial catalogue |
2012 |
Hyperdrawing, by TRACEY |
2011 |
Island, publication, collaboration with text by
Leslie Forbes |
2008 |
New Gothic Art, Francesca Gavin |
2007 |
Stavanger Aftenbladet, review, Trond Borgen |
2007 |
Drawing Now, published by TRACEY |
2007 |
The Guardian, review |
2006 |
Drawing Inspiration, published by Abbot Hall Art
Gallery |
2006 |
Contemporary Annual, profile |
2005 |
Modern Painters, review |
2005 |
The Real Ideal, published by Sheffield Millennium Gallery |
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Cloud & Vision, published by Parabola |
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Only Make - Believe, catalogue published by Compton Verney,
essay by Marina Warner |
2004 |
Some Mild Peril, Published by Castlefield Gallery assembled
and edited by Nick Jordan |
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Sarah Woodfine, catalogue published by Museums & Galleries,
Middlesbrough Council, text by Marco Livingstone |
2003 |
Exhumed, catalogue, Published by Parabola edited by Jordan
Kaplan |
2002 |
Jerwood Drawing Prize, catalogue |
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In Splendid Isolation, catalogue published by Danielle Arnaud,
essay by Marco Livingstone |
2001 |
The Jerwood Drawing Prize, catalogue |
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Zoo, Issue No.8 |
2000 |
Sarah Woodfine, catalogue, published by Danielle Arnaud,
essay by Martin Herbert |
1999 |
Sarah Woodfine, catalogue published by Ha Gamle Prestegard |
1998 |
Perfume, catalogue, essay by Marc Hulson |
1995 |
London, catalogue, published by Galleri F15 |
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Decadance, catalogue, published by Trondjheims Kunstforening |
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Collections |
Victoria & Albert Museum, London; Middlesbrough Art
Gallery;, Ha Gamle Prestegard, Norway; and |
private collections in England, U.S.A, Norway, The Netherlands,
Switzerland, Hawaii and Spain |
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Awards, Residencies, Projects |
Artist in Residence at Emily Carr University, Vancouver,
Canada January – May 2015 |
Guest speaker at Draw 2014 International Drawing
Symposium, Carnegie Mellon University, USA |
Artist in Residence, Carnegie Mellon University, Faculty
of Fine Art, USA November 2012 |
Voyager, Knutsford Children's Centre collaboration produced as an exhibition of artworks and a performance,Tatton Park Biennial,
UK 2012 |
Island, Commission Graves Gallery,Sheffield, UK 2011 |
Artangel Nights of London Interactive Project 2006 |
The Nelson Touch Collaboration between Aspex Gallery and
The Maritime Museum Portsmouth 2005 |
Winner The Jerwood Drawing Prize 2004 |
Drawing Artist in Residence Middlesbrough Art Gallery
2002 |
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