Louisa Fairclough |
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>back |
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| Lives and
works in London |
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2000 Slade School of Fine Art. MFA
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Louisa Fairclough is currently an Associate Lecturer at Oxford Brookes and Falmouth University. She lectured at the Slade from 2002 – 2008 and co-curated Mezz from 2009 – 2011. |
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| Selected
Exhibitions and Performances |
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2019 |
| FEAR LIFE DEATH HOPE,
Alchemy Film and Moving Image Festival, Hawick |
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2017 |
| A Song Cycle for the Ruins of a Psychiatric Unit,
Danielle Arnaud Gallery, London |
| VOICE IMAGES, Swiss Church in London |
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Period, Rojas + Rubensteen Projects, Miami |
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2016 |
| Contact Film Festival, Apiary Studios, London |
| Channel, Penarth Pier Pavilion |
| Stories in the Dark,
Beaney Museum, Canterbury |
| Points of Departure, Estuary Festival, Southend-on-Sea |
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| 2014 |
| I wish I could be a stone,
Danielle Arnaud Gallery, London (solo) |
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Absolute Pitch, Whitstable Biennale 2014 |
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| 2013
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Film in Space, curated by Guy Sherwin, Camden Art Centre |
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Bore Song, Ha gamle Prestegard, Norway |
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| 2011 |
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Jerwood Drawing Prize |
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| 2004
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Nowhere Else But Here, Danielle
Arnaud Gallery, London |
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| Residencies |
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| 2016 |
| Artist-in-residence, Metal in Southend |
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| Public
Collections and Commissions |
| Jeannie was commissioned by Bristol New Music and Arnolfini in 2014 |
| Bore Song was shown at Ha gamle Prestegard in Norway before being acquired by Contemporary Art Society for Cheltenham Art Gallery and Museum: The Wilson (2013). |
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